In Frances Ya-Chu Cowhig’s ‘410[GONE]’ at Crowded Fire Theater, the Land of the Dead is rendered with Beijing opera and Dance Dance Revolution.
A tribute to the founder and former artistic director of Aurora Theatre Theatre company.
David Farr’s ‘The Heart of Robin Hood’ and Greg Banks’s ‘Robin Hood’ render Sherwood Forest with tinges of feminism and Occupy Wall Street.
The Chicago company has ventured into theatre for infants and toddlers with its newly renovated space, the aptly named Little Theatre.
At Alabama Shakespeare Festival’s annual gathering, new plays grow with a distinctly regional flair.
How the team at Rogue Machine Theatre created a hoarder’s paradise onstage.
“Sleep No More” may be all the rage, but stateside companies such as Third Rail Projects, Bricolage Production Company, and La Jolla Playhouse are creating works that let audiences break the rules.
She is the cofounder and leader of Clubbed Thumb, the Off-Off Broadway company that produces innovative plays with a personal touch.
The producer’s talent is in matchmaking, bringing artists and institutions together across borders.
In the production at GALA Hispanic Theatre, the creative team used projection and portraits to tackle Isabel Allende’s non-linear narrative.