‘The Last Yiddish Speaker’: Who They’ll Come for First
Deborah Zoe Laufer’s new play, now kicking off its rolling world premiere at Philadelphia’s InterAct Theatre, imagines an eerily plausible fascist future.
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Deborah Zoe Laufer’s new play, now kicking off its rolling world premiere at Philadelphia’s InterAct Theatre, imagines an eerily plausible fascist future.
The 3 writers in Second Stage’s Judith Champion Reading Series—Sarah Mantell, D.A. Mindell, and Kaela Mei-Shing Garvin—reflect on their plays and their process.
Applications for the new program, designed to mentor early-career and aspiring critics in the region, are now open through July 15.
In Know Theatre’s new show, Cloud Cult’s 2010 concept album becomes an interstellar family drama set somewhere between Ohio and Proxima Centauri.
A roundup of prizes, fellowships, and other recognitions.
Syracuse Stage’s managing director, who began her theatre career in the Midwest, will take her place this summer next to CTC’s new artistic director, Rick Dildine.
A dialogue on how students, teachers, and parents can push back against a wave of conservative legislation and intimidation that threatens to chill theatrical expression.
The flagship theatre memorably mounted Shakespeare’s popular history plays in 1990, and now they’re back for another repertory rotation.
2 works now in the public domain will be joined in a new ‘pop opera hybrid’ version.
A tenor known for romantic leads, the actor-singer tackles the iconic demon barber with only a slight key change and an emphasis on the humanity as much as the horror.