Arts journalism is fighting for its life, but it’s well past time to invite new voices to join the fray.
The writer/performer’s new show at Dixon Place promises a carnival ride through a memoir’s revelations.
How the actor keeps it real at the center of a stunning new staging of O’Neill’s stylized 1922 drama.
Martin Sherman’s new play takes stock of a generational shift in attitudes as disorienting as it is heartening.
Why did The New York Times hire another white guy to be their new co-chief theatre critic? He plans to work hard to show us why.
Where would Broadway be without the nation’s nonprofit theatres? It’s impossible to say, so intertwined are their fortunes.
The composer behind ‘Great Comet’ and ‘Ghost Quartet’ makes music into theatre, and vice versa.
Family and time have something to do with how her new revival cracks open the great musical her uncle wrote with Sondheim.
Established by presidential fiat 52 years ago, the NEA and NEH are on a list of dozens of agencies the new president wants to eliminate.
Politically motivated leaks, intelligence community dissent—no, it’s not a Trump-era tale but a fresh look at a Bush-era scandal.