Williams specialist Janet Shea tackles the play’s florid Flora in a tailor-made new production.
Is drama dying on the Main Stem? Not if these writers (and some enterprising nonprofits) can help it.
Joshua Harmon, Lucas Hnath, Lynn Nottage, JT Rogers, and Paula Vogel compare notes.
The stars alternate in the leads of Lillian Hellman’s spiky classic in Manhattan Theatre Club’s new revival.
How ‘Come From Away,’ ‘Amélie,’ and ‘War Paint’ found their footing in resident theatres before stepping up to New York City.
The composer behind ‘Great Comet’ and ‘Ghost Quartet’ makes music into theatre, and vice versa.
The designer, who has four shows on Broadway right now, relishes cross-disciplinary collaboration.
Family and time have something to do with how her new revival cracks open the great musical her uncle wrote with Sondheim.
Pits? What are those? Conductors take centerstage in three current Broadway shows.
Composer Stephen Flaherty and lyricist Lynn Ahrens talk about the musical’s long path to the stage.