The star is breaking out of her familiar type in the new musical about World War II veterans.
His minimalist aesthetic seems to mesh well with the character-driven work of the composer/lyricist. Next: ‘Pacific Overtures.’
American Theater Co. of Chicago’s new artistic director looks for magic in small spaces.
How the Complicite auteur follows trains of thought to the stage, then gets whole audiences on board.
Her comical ‘King of the Yees’ is not your average family play, but then her dad isn’t your average dad.
It’s not just that the hit musical doesn’t tell my family’s story. It’s that it perpetuates a narrative in which the Vietnamese are victims, not fighters.
The writer/performer’s new show at Dixon Place promises a carnival ride through a memoir’s revelations.
How the actor keeps it real at the center of a stunning new staging of O’Neill’s stylized 1922 drama.
The online festival featured performances from around the world, but shone a particular light on puppetry’s local roots.
At Children’s Theatre Company in Minneapolis, Dr. Seuss’s ‘The Sneetches: The Musical’ offered a prescient tale of discrimination and acceptance.