The star is breaking out of her familiar type in the new musical about World War II veterans.
His minimalist aesthetic seems to mesh well with the character-driven work of the composer/lyricist. Next: ‘Pacific Overtures.’
American Theater Co. of Chicago’s new artistic director looks for magic in small spaces.
How the Complicite auteur follows trains of thought to the stage, then gets whole audiences on board.
Her comical ‘King of the Yees’ is not your average family play, but then her dad isn’t your average dad.
The writer/performer’s new show at Dixon Place promises a carnival ride through a memoir’s revelations.
How the actor keeps it real at the center of a stunning new staging of O’Neill’s stylized 1922 drama.
From a teaching artist in Kentucky to an actor in Berkeley, Calif., here are some theatre workers to have on your radar.
Martin Sherman’s new play takes stock of a generational shift in attitudes as disorienting as it is heartening.
From Lola’s heels to Aaron Burr’s simmer, the improv and TV star feels at home onstage.