The stars alternate in the leads of Lillian Hellman’s spiky classic in Manhattan Theatre Club’s new revival.
The composer behind ‘Great Comet’ and ‘Ghost Quartet’ makes music into theatre, and vice versa.
The designer, who has four shows on Broadway right now, relishes cross-disciplinary collaboration.
Family and time have something to do with how her new revival cracks open the great musical her uncle wrote with Sondheim.
Composer Stephen Flaherty and lyricist Lynn Ahrens talk about the musical’s long path to the stage.
The Tony-winning actress returns to the Broadway stage in ‘War Paint.’
Theatres who want to respond to the current political climate have a ready vehicle: an angry new two-hander by the author of ‘All the Way.’
The late playwrights’ advocate James Houghton left behind an embarrassment of riches for his successor, but she seems quite suited to the task.
From a New York City stage manager to a Washington, D.C.-based marketing director, here are some theatre workers to have on your radar.
In ‘Queens for a Year,’ the playwright dramatized the culture of silence around military sexual assault via five generations of warrior women.