The Tony-winning composer explains how piracy helped propel the stage adaptation of the beloved film.
In times of crisis, theatre has more than one role to play.
For this year’s preview of U.S. theatre’s offerings, we look at the how and why as much as the what.
Whose programs do the programmers admire most? We asked some U.S. theatre leaders and they told us.
After a quarter century at the helm of ACT, the classics-minded director/playwright is quitting while she’s ahead.
His unprecedented tenure at Yale Rep may be topped off (fingers crossed) by a new theatre-and-school complex.
Our magazine doesn’t include the Bard on its annual most-produced lists, but this year he snuck his way to the top anyway.
How these leaders put their stamp on long-running theatres they inherited.
In her third year on this list, ‘I and You’ playwright Lauren Gunderson has shot to the top spot.
This year’s top play is “Shakespeare in Love” by Lee Hall, based on the Oscar-winning film.