Over 10 days of performance art, lines between performer and audience blurred, then disappeared altogether.
American theatres still have a habit of seeing Middle Eastern characters as embodying controversy rather than humanity.
What we learned about ‘Merchant of Venice’ by staging it in the city where it was set.
Artistry isn’t the only thing that makes theatre happen. We ignore that at our peril.
What a piece of work is ‘Hamlet,’ as sampled in London, New York, and Colorado.
A dispatch from this year’s record-breaking festival, where 3,000 shows competed for theatregoers’ attention.
With 20 major American theatres facing leadership transitions, boards and search firms have to do better than the status quo.
In the digital post-truth era; theatre of the real doesn’t just dramatize change—in some case it embodies it.
What I learned at the O’Neill Theater Center’s annual July boot camp for arts journalists.
A look at the cyclical nature of theatre architecture throughout history.