Every Time It’s Personal
How my reporting on one man’s abuse got tangled up with my own grief.
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How my reporting on one man’s abuse got tangled up with my own grief.
How can we help equip Actors’ Equity to prevent and punish harassment in our theatrical workplace?
Key takeaways from the Latinx Theatre Commons’s new-play fest in Chicago, where the focus was both national and hyper-local.
Four theatre leaders give ‘vision statements’ in response to the question: How does the role of artistic director need to change in the 21st century?
As Actors’ Equity prepares to announce a new name for its beloved Broadway ceremony, here’s a look at why they made the change.
What was missing from a recent op-ed? A sense of how lighting designers actually work to tell visual stories and create stage space.
Stage fog and haze are great tools for the right occasion. But must they be a default design element?
Matthew Lopez’s two-part epic uses E.M. Forster as a template and is playing in London, but this sweeping, imperfect play is unmistakably American.
By doing such vital work by living playwrights, this classical destination theatre with Shakespeare in its name effectively puts them on equal footing with the Bard.
‘The Wolves,’ ‘Dance Nation,’ and ‘School Girls,’ all by young female playwrights, show girlhood in all of its complexity and ferocity.