With 20 major American theatres facing leadership transitions, boards and search firms have to do better than the status quo.
In the digital post-truth era; theatre of the real doesn’t just dramatize change—in some case it embodies it.
What I learned at the O’Neill Theater Center’s annual July boot camp for arts journalists.
A look at the cyclical nature of theatre architecture throughout history.
Why my play ‘Pass Over’ inspired a whitelash—and a backlash against it from artists who felt targeted.
What was a critic of color doing at a theatre conference? Only listening, learning, networking, and finding his place.
I was commissioned to write about a divisive historical figure. Who knew my play would drop when U.S. history was writing an explosive new chapter?
Her new musical ‘Bella’ is a tall tale about an unlikely Old West heroine.
South Coast’s rep for developing new work makes another strong showing.
An O’Neill biography puts the drama centerstage, while a tantalizing compendium of Beckett-iana largely elides it.