César Alvarez Is Changing the American Musical Form, and the World
The indie Americana musical spans time and space, but its story hits close to home for its author.
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The indie Americana musical spans time and space, but its story hits close to home for its author.
In the final installment of this follow-up with the Harvard acting class of 1995, former colleagues find meaning on and off the stage, together and apart.
As young actors at Harvard, they formed a kind of de facto theatre company. Then they hit the pavement in New York. Here’s the story of their last 20 years.
Another big winner was Lyric Stage Company’s ‘Into the Woods,’ plus a special prize for Gold Dust Orphans founder Ryan Landry.
Sara Bareilles, Dave Malloy, Mark Rylance, Eve Ensler, the TEAM and Headlong Theatre are among the artists bringing work to the Boston-area theatre.
From Beethoven to Irving Berlin, the versatile polymath has built a repertoire of solo shows about the lives and work of great musicians.
Nine adaptations of Shakespeare’s “The Tempest,” ranging from American Repertory Theater to Cornerstone Theater, that shows you don’t need to do it as a straight play, or set it in Italy, to make it magical (though you can add real magic if you’re really ambitious).
Boston’s ART will have sent five shows to Broadway in just three years as of next March, when “Finding Neverland” opens in New York.
Director Aaron Posner teams up with Teller to include magic in their production of “The Tempest” at the American Repertory Theater.
The awards and prizes that have been given out since our last issue.