Though our ‘Play on!’ commissioning project has met with some vocal disapproval, the work is grounded in the Oregon Shakespeare Festival’s core values—and our love for the Bard.
Oregon Shakespeare Fest’s new translation project pits purity against clarity, 400 years of reverence against a few hours’ traffic of the stage.
An issue of a magazine, like a theatrical season, is a menu of options reflecting our tastes, affinities, and priorities.
The theatre’s idealistic leader isn’t resting on its considerable laurels but pushing it to be more, and do more, all the time.
Oregon Shakes’s history-play commissioning project may not have funded the founding fathers hip-hop musical everyone’s talking about, but their slate so far is pretty revolutionary anyway.
Why I’ve avidly watched the work of Cornerstone’s founding artistic director and of Oregon Shakes, both separately and together.
The new 51% Preparedness Plan calls for SoCal theatres to lead the national charge toward greater diversity onstage, backstage and in the house.
A new staging of Madeleine L’Engle’s sci-fi classic is the newest entry in director Tracy Young’s genre-hopping, ensemble-focused career.
Authenticity and connection were elusive goals for Michael John Garcés. Then he landed at the helm of Cornerstone.
The next stop on the director’s journey into the heart of America is the venerable OSF.