Goodwin receives the opportunity to develop his script ‘HYPE MAN’ at the American Blues Theater.
The Minnesota company’s first year under artistic director Sarah Rasmussen will include world premieres from Philip Dawkins and Idris Goodwin, plus all-female Shakespeare.
The real-life story of jailhouse meetings between two music-loving siblings is the basis of a new play at B Street Theatre.
Two major critics diss a new play about graffiti and hip-hop culture, igniting a debate about privilege, race and who gets to tell young people’s stories.
Outgoing CFT artistic director Marissa Wolf’s final season includes plays by A. Rey Pamatmat, Idris Goodwin and a world premiere by Geetha Reddy.
The awards and prizes that have been given out since our last issue.