Global Theater Initiative kicks off its annual World Theatre Day event with two stirring speeches about the value of theatre.
From Lola’s heels to Aaron Burr’s simmer, the improv and TV star feels at home onstage.
Why did The New York Times hire another white guy to be their new co-chief theatre critic? He plans to work hard to show us why.
The designer and restorer of some of his city’s most iconic theatre spaces was something of a New York icon himself.
An uncompromising artist and an exacting mentor, the poet/playwright gave back to generations of writers.
Williams specialist Janet Shea tackles the play’s florid Flora in a tailor-made new production.
Is drama dying on the Main Stem? Not if these writers (and some enterprising nonprofits) can help it.
The stars alternate in the leads of Lillian Hellman’s spiky classic in Manhattan Theatre Club’s new revival.
How ‘Come From Away,’ ‘Amélie,’ and ‘War Paint’ found their footing in resident theatres before stepping up to New York City.
The composer behind ‘Great Comet’ and ‘Ghost Quartet’ makes music into theatre, and vice versa.