We have so many theatre riches before us. If we don’t engage with them fully and forthrightly, we’re effectively taking them for granted.
Reviewers and reporters are an endangered species. Here’s how some of them are surviving—and even thriving.
Three theatre critics of color who are used to being the only one who looks like them on the aisle seat.
Sure, theatres can find ways to spread the word without critics, but patrons still want—and deserve—disinterested reviews.
The legendary critic and impresario is still writing every day, though he’s largely left the battlefield to other warriors.
Choice notes from an extraordinary theatregoing career, documenting trends and artists of the late 20th-century stage.
The bad news: a huge drop in charitable giving and no itemized deductions for freelancers. The good news? An amendment could fix the giving part.
Thinking beyond what’s in front of you—to see a fourth option—can be a powerful key to leadership and problem-solving.
The playwright, a stalwart of Negro Ensemble Company and Victory Gardens, recalls his good fortune over a long career.
National Stages creates a cross-subscription program for audiences on the move.