Henrik & Heidi & Anton & Amy
Why and how Amy Herzog and Heidi Schreck took time from writing their own plays to adapt ‘An Enemy of the People’ and ‘Uncle Vanya,’ respectively, for Broadway.
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Why and how Amy Herzog and Heidi Schreck took time from writing their own plays to adapt ‘An Enemy of the People’ and ‘Uncle Vanya,’ respectively, for Broadway.
A roundup of prizes, fellowships, and other recognitions.
The 3 writers in Second Stage’s Judith Champion Reading Series—Sarah Mantell, D.A. Mindell, and Kaela Mei-Shing Garvin—reflect on their plays and their process.
Applications for the new program, designed to mentor early-career and aspiring critics in the region, are now open through July 15.
In Know Theatre’s new show, Cloud Cult’s 2010 concept album becomes an interstellar family drama set somewhere between Ohio and Proxima Centauri.
Branden Jacobs-Jenkins’s world premiere play about a Black political dynasty is the latest in Steppenwolf’s lineage of explosive work crafted around their acting ensemble.
A roundup of prizes, fellowships, and other recognitions.
Participants gathered to preserve the legacy and imagine the future of Latinx theatre at the LTC’s convening in Boston last month.
Set to depart at the end of 2024 after six years at the helm, Lorca discusses her people-centered approach and love for the company.
April recalls the Hyers sisters, a prolific lyricist, a federal musical revue, a busy book writer, an August Wilson premiere, and an Anna Deavere Smith classic.