Goat in the Road’s devised piece braided two veterans’ stories into an examination of identity and homecoming.
Psychological trauma is the subject of most plays about service members. Does this represent most veterans’ reality, or does it further complicate their reentry?
In ‘Queens for a Year,’ the playwright dramatized the culture of silence around military sexual assault via five generations of warrior women.
The creators of ‘Theater of War’ and ‘ReEntry’ compare notes on adapting and creating cathartic experiences for servicemembers and other hard-hit communities.
Site-specific maven Anne Hamburger, back from producing live shows for Disney theme parks, is behind a new multimedia piece about U.S. Marines, ‘BASETRACK Live.’
When theatre artists and military personnel come together, assumptions on both sides are transformed.
A crisis of conscience in Iraq becomes the raw material for ‘The Eyes of Babylon.’