Contemporary Russian theatre reflects a divisive political moment with rage, irony and low-fuss experimentation.
In ‘Satchmo at the Waldorf,’ Terry Teachout conjures an icon at the end of his career.
The human condition gets a workout at 2 festivals: Humana and Pacific Playwrights.
A conversation about playmaking, ensemble acting, writing regimens—oh, and that Chekhov play they both adapted.
Rep. Louise Slaughter has Geva Theatre Center’s back.
For Idaho Shakespeare Festival’s Mark Hofflund, a relationship with Congressman Mike Simpson gives rural arts an advocate in high places.
Gulu District is a long way from Denver, but not beyond the reach of theatre.
With his second volume of lyrics, Sondheim makes the case for his theatrical vision, even when it’s led him down blind alleys.
Emily Mann and Chay Yew write and direct plays, and they run theatres. Not necessarily in that order.
As theatres and audiences face a brave new digital world, 12 of the nation’s most influential theatre critics talk about their towns and their changing roles.