And Then There Was Nunn: A Master Nears a Finish Line
For his 35th Shakespeare, ‘Pericles,’ director Trevor Nunn decided to make it in America, at Theatre for a New Audience.
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For his 35th Shakespeare, ‘Pericles,’ director Trevor Nunn decided to make it in America, at Theatre for a New Audience.
Amid the January rains, theatre artists and audiences scramble from show to show at a festival of seedlings, blossoms, and tilling for future harvests.
This week, we welcome monologists Eric Bogosian and Mike Daisey, who chat about why they love and hate solo shows. Plus, the editors discuss television, leadership transitions in Chicago, and Wooster/Pinter kerfuffle.
A survey finds that theatre staffs are 70 percent non-Hispanic white, which is roughly the inverse of the city’s demographics.
In a week of showgoing, I enjoyed reconnecting with my performing-arts-presenter peers, but also searched for points of entry for the uninitiated.
As the new artistic director of PlayMakers Repertory Company, she is focusing on new plays, diversity, community, and the future.
Huntington Theatre’s staging of John Kennedy Toole’s beloved novel was its biggest hit ever. Can it continue to adapt?
After months of delays, the new home of five Philadelphia theatre companies welcomes its first audiences.
After all, the last time the medium had a supposed Golden Age was when it staged plays live. Coincidence?
Actor. Playwright. Activist. Zombie slayer. Is there anything she can’t do?