Gavin MacLeod Shows Up for ‘Happy Hour’
The veteran TV actor returns to the stage for a new play about aging. And though the theatre’s in the California desert, there’s a cruise ship connection, natch.
Support American Theatre! A just and thriving theatre ecology begins with information for all. Make a fully tax-deductible donation today! Join TCG to ensure you get AT's return to print in your mailbox.
The veteran TV actor returns to the stage for a new play about aging. And though the theatre’s in the California desert, there’s a cruise ship connection, natch.
Isaac Butler, Darcy James Argue, and Peter Nigrini conspire to create a musical/theatrical collage at the junction of paranoia, misinformation, and a Big Band jazz beat.
The actor Brandon Dirden speaks about his life’s work, while playwright Mac Rogers branches out into a perfect new medium for his talents.
Stephen Karam’s ‘The Humans,’ like Annie Baker’s ‘John,’ uses realism to sharpen our attention to something bigger.
The paper of record dispenses with design credits, while ‘Futurity’ imagines a new musical theatre.
From a car-driven opera in L.A. to a roller coaster musical in Chicago, from education projects to exciting turnovers, fall is busting out all over.
The artistry of Deaf and disabled theatre workers has been amply demonstrated. Why aren’t they centerstage more regularly?
California Shakespeare Theatre’s new artistic director has a passion for engaging audiences around new work. What will he do with an outdoor summer theatre?
A few words about a recent editorial.
The fight over minority representation onstage is about broadening, not narrowing, opportunity and artistry.