Editor’s Note for Feb. 2013
The year has begun with a busy theatre agenda.
Category Archives: Editor’s Note
The Artist as Entrepreneur
How creative folks are putting a business buzzword into action.
Editor’s Note for January 2013
Chekhov, our contemporary? And training for theatrical entrepreneurs.
Editor’s Note for December 2012
The development of new plays is vital to keep theatre alive.
Editor’s Note for November 2012
This month features substantive dives into the art and business and process of making theatre.
Editor’s Note for October 2012
Strong personalities and takes abound in the season ahead.
Editor’s Note for July/August 2012
We mark the debut of a digital version with an issue ranging from Orange to Moscow, from O’Neill to stage designs.
Approaches to Theatre Training: Ready, Set, Act
Editor-in-chief Jim O’Quinn outlines the contents of this January’s annual special section on theatrical training.
What This Magazine Can and Should Be
According to contributing editors Arthur Ballet, Marjorie Bradley Kellogg, Michael Feingold, Richard Gilman, and John Houseman.
Editor’s Note
Welcome to our inaugural issue, featuring a deep dive on playwright Sam Shepard.
