To Have and Have Not
In a commercial society, artists must claim their own language, their own values, their own space.
In a commercial society, artists must claim their own language, their own values, their own space.
Y2K meets the fin-de-siecle at BAM’s Next Wave.
TCG’s New Generations program won’t just benefit early-career theatre professionals; it will also help sustain the field.
How to become a theatre company’s practical dreamer.
The conflicts and commonalities I saw at this year’s TCG conference.
Who’s depriving American audiences of the great foreign-language theatre of the world?
The playwright sees himself as a psychic trespasser.
There’s a revolution afoot in theatre design that takes its cue from the three-dimensional spaces of centuries past.
The founder of Actors Theatre of Louisville offers a few observations and admonitions on the way out the door.
The dark side of the American experience dominates Jon Jory’s farewell edition of the Humana Festival.