‘Long Day’s Journey Into Night’ in the Room Where It Happened
There’s no escape for or from the tortured Tyrones, as Flock Theatre stages O’Neill’s masterpiece in the intimacy of his family’s historic cottage.
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There’s no escape for or from the tortured Tyrones, as Flock Theatre stages O’Neill’s masterpiece in the intimacy of his family’s historic cottage.
What gives this 19th-century Norwegian’s plays their lasting power? ‘Power’ is the operative word.
The Wisconsin-based theatre has brought performers with disabilities together to tell more authentic stories about the disabled experience.
The NY Times’ recent ‘Brief History of Gay Theatre’ was not so brief. So how did it manage to leave out so much gay history that wasn’t white and male?
Five credentialed writers have bucked the trend of arts journalism cutbacks to create a new review website.
At Arena Stage, Mary Kathryn Nagle’s ‘Sovereignty’ set out to reclaim Native stories—and bodies.
Native theatre in the U.S.’s two non-contiguous states, Alaska and Hawai‘i, shows resonant connections as well as telling differences.
After years of nurturing writers and performers, the work of L.A.’s Native American theatre is finally paying off.
In Dawn Jamieson’s new play, four Iroquois high-beam walkers reckon with trauma past and present.
The 1491s have gone from YouTube videos to live sketch comedy to a major play commission, and they’re laughing all the way.