An interview with Philip Kan Gotanda about his play ‘Ballad of Yachiyo.’
In a time of uncertainty and change, theatre leaders revisit ‘Artistic Home.’
From the front lines of a theatre revolution, she has been dreamer, pathfinder, and mentor to a generation of artists.
Masked ritual folk theatre is becoming more prevalent in the country’s interior provinces.
An emotional farewell is staged for activist Free Southern Theatre.
Building dynamic characters for the stage goes far beyond gender.
This unique nine-member company is more than the sum of its parts.
An American giant in her dotage weighs in on success, fear, love, and idealism.
Why does the author of ‘True West’ write plays? To see and hear things he can’t find anywhere else.