Producers Stephen C. Byrd and Alia Jones-Harvey Talk Shop
Broadway’s only African-American lead producers share their paths to producing and some tricks of the trade.
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Broadway’s only African-American lead producers share their paths to producing and some tricks of the trade.
Samantha Shay’s music-based piece finds a berth in the aesthetic home of Grotowski.
From a physics major turned properties master to a wannabe politician turned playwright, here are some theatre folks to have on your radar.
The Chilean playwright makes sly, playful frames for serious questions and unfinished political business.
Even in a polarized age, the best dramatists are drawn to complications, not simple answers, as Richard Nelson’s Chekhovian plays prove.
Lured to L.A. at the beginning of the regional theatre movement, he stayed and changed both.
Is it better to plan or to improvise when attending Edinburgh’s outsized performance festival? Two correspondents answer: Yes.
Shelagh Delaney’s 1958 drama about abandonment was looking a bit left behind itself, until two new revivals came along.
Snowbirds from the South and Canadians from the Maritimes enjoy theatre year-round at this company’s opera house.
From a W.E.B. Du Bois manifesto to David Henry Hwang’s Broadway return, October was an exciting month for theatrical milestones.