Mark Rucker Made Room for Others, and There Was No Better Place to Be
Gentle but passionate, as handy with farce as with tragedy, the late director brought together the Bay Area’s disparate theatrical tribes like no one else.
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Gentle but passionate, as handy with farce as with tragedy, the late director brought together the Bay Area’s disparate theatrical tribes like no one else.
The farm-based Massachusetts company draws upon the life of lead actor Carlos Uriona for ‘Once a Blue Moon.’
Jeremy Gable’s ‘The 15th Line’ gathered attention as a Twitter play in 2010. Now Erin Mee is bringing it back.
Bookwriter Robert Horn, along with Nashville song pros and director Gary Griffin, aims for the heart as well as the humor of the TV variety chestnut.
What happens when writers accustomed to grown-up audiences aim younger? The results can be rich and rewarding for all concerned—though there are pitfalls.
As impish as he was earnest, as reliable as he was sensitive, the theatre’s longtime managing director led by actions as much as words.
Best known stateside as the big-screen Eponine, Barks throws herself into the role of a mischievous French waif.
This two-stage theatre makes a home for innovative new works, with frequent world premieres and no play older than five years.
The Chinese opera diva, who has revivified a classic form, rides a wave of adulation to Lincoln Center.
In his funny, heartrending new play ‘Guards at the Taj,’ the writer of ‘Bengal Tiger at the Baghdad Zoo’ and ‘Gruesome Playground Injuries’ asks big questions through two small lives.