4 Ways Theatre Critics Can Be a Little Bit Less Racist
Sometimes theatre journalists write insensitive things. We all have unconscious biases, after all—but we can do better.
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Sometimes theatre journalists write insensitive things. We all have unconscious biases, after all—but we can do better.
Teen councils aren’t just about building young audiences; they’ve grown into powerful leadership-building and advocacy tools.
From obscure classics to populist musicals and thrillers, Hartford Stage artistic director Darko Tresnjak is in the midst of a killer career.
She may have moved beyond the big bring-the-curtain-down numbers, but the singer can still bring down the house. Next: ZACH Theatre’s Ellington revue.
The playwright of ‘Ruined’ and ‘Intimate Apparel’ talks about her new play, inspired by America’s ‘de-industrial revolution’ and bowing this month at Oregon Shakespeare Festival.
One audience member trying to plug his phone into a Broadway set is not the end of civilization—nor should a ‘why not’ attitude be entirely unwelcome in the theatre.
A new play about loss and memory contemplates a world full of eternal afterimages—‘primes’—that can learn to look and act like us. But how will they feel?
The theatre brought Bob Farley and Anita Allen together nearly 50 years ago, and they’ve been intertwining their lives and their work ever since.
A new revival of Frank Galati and Stephen Flaherty’s ‘Loving Repeating’ celebrates the life and language of the influential American expat writer.
The Old Globe’s newest Viola talks about same-sex attraction in Shakespeare, playing against type, and the wonders of Fiona Shaw.