The Theatre of Guilt
The theatre is not a courtroom, a distinguished critic argues, and should have nobler ambitions than dispensing guilt and blame.
The theatre is not a courtroom, a distinguished critic argues, and should have nobler ambitions than dispensing guilt and blame.
A visit with the Connecticut theatre’s long-standing management couple, and an update on hirings and departures nationwide.
British playwright Arnold Wesker’s new play about gender relations opens at Chicago’s Northlight Theatre.
A generative politics, wedding activism by both citizens and the state, has as strong role for the nation’s nonprofit sector.
As the planet burns, what can art do that activism can’t? Perhaps, as the work of 3 path-breaking companies attests, that’s a false choice. Plus: a to-do list for green theatre, and sketches toward an eco-canon.
A new adaptation of ‘McTeague’ is more about longing than greed.
In directing ‘Hamlet’ and ‘The Seagull’ in repertory at American Repertory Theatre, Ron Daniels finds parallels and contrasts that illuminate both works.
Great actors in the full sway of their passions are likely to be more persuasive conduits to the interior of plays than the arbitrary, decorative conceptions of postmodernist directors.
Nearly everyone in radio drama is reinventing the wheel.
The shock tactics of Reza Abdoh push audiences to the edge.