You Can’t Always Get What You Want
But if artists from the clashing worlds of rock music and theatre settled their differences, they just might get what they need.
But if artists from the clashing worlds of rock music and theatre settled their differences, they just might get what they need.
A handful of new musicals that grapple with varied American experiences.
Anne Bogart and Kristin Linklater debate the current trends in American actor-training.
A kaleidoscopic look at a discipline that still gets no respect.
A report on literary managers and dramaturgs of the Americas.
How to become a theatre company’s practical dreamer.
Turning Marley’s face into a doorknob is just Problem No. 1 for ‘Carol’ adaptors.
The conflicts and commonalities I saw at this year’s TCG conference.
Times are changing at the world’s most famous—and infamous—passion play. Plus: Reflections of and on Obergammerau by Robert Wilson and Sarah Ruhl.
Who’s depriving American audiences of the great foreign-language theatre of the world?