Where Art Leads the Way: Carmen Romero’s Journey with Santiago a Mil
The festival founder talks about keeping theatre vital in a country recovering from dictatorship and facing new challenges.
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The festival founder talks about keeping theatre vital in a country recovering from dictatorship and facing new challenges.
Inspired equally by ‘Star Wars’ and Charles Ludlam, the Philly troupe’s ‘I Promised Myself to Live Faster’ explores the intersection of tween sexual awakening and sci-fi fantasy.
The historian/playwright returns to Louisville with ‘The Glory of the World,’ a raucous tribute to the Trappist monk on what would be his 100th birthday.
The tenor, who will play the role in Lyric Opera of Chicago’s ‘Carousel,’ also talks about vocal health, career advice and why it’s best not to ask him to dance.
Since joining the theatre’s staff four decades ago, he’s helped guide the Chicago theatre to national flagship status. It wasn’t an easy or inevitable climb.
His new play looks at aging parents and the children who care for them, and doesn’t mind laughing at the things that are beyond understanding.
The longtime actor never intended to be a director, but when his husband’s musical needed a leader, he stepped up and found a new passion.
In her first play for the Humana Festival, Jen Silverman pays a tribute to badass women in their 50s.
In her play ‘I Will Be Gone,’ hauntings and grief are served with comedy and cupcakes.
Veteran composer John Kander talks and emerging talent Nick Blaemire, both with new musicals at Arlington’s Signature Theatre this month, trade thoughts about the state of musical theatre.