Eve Ensler on Activism, Adaptation, and the ‘V’ Play
Her new play ‘Emotional Creature’ reflects the experiences of girls around the world.
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Her new play ‘Emotional Creature’ reflects the experiences of girls around the world.
Why this Scot’s one-man take on the Scottish play feels like a sort of homecoming.
A conversation about playmaking, ensemble acting, writing regimens—oh, and that Chekhov play they both adapted.
Answers about Andy Warhol, the tradeoffs of filmmaking, and what happened to that striped scarf.
The acclaimed author of ‘Jerusalem’ talks about writing, relationships and his secret advice from Harold Pinter.
Reykjavík’s mayor is also an actor, comedian, and writer who believes that artists can make good politicians.
A chat with the busy actor, now appearing in Beth Henley’s ‘The Jacksonian’ at the Geffen Playhouse.
Emily Mann and Chay Yew write and direct plays, and they run theatres. Not necessarily in that order.
The New York director balances classics and new plays, in big venues and small, while stripping away the safety net.
For Peter Sellars and Maya Zbib, mentorship isn’t a one-way exchange.