What’s Left for Guillermo Calderón
The Chilean playwright makes sly, playful frames for serious questions and unfinished political business.
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The Chilean playwright makes sly, playful frames for serious questions and unfinished political business.
The Emmy winner takes on the role of Regina Giddens in the Lillian Hellman classic.
Whether directing, writing, or irreverently adapting, the D.C.-based artist isn’t afraid of bringing himself to all his work.
The playwright discusses why the New York production was unique, the role of race in her play, and why she doesn’t consider herself a career playwright.
As Charles Kopelman and Sarah Douglas of Abrams Artists Agency explain: They talk, the playwrights write.
How this dedicated follower of no fashion and avatar of alternatives to the well-made play keeps it weird.
From a downtown NYC artistic director to a Philadelphia-based composer, here are some stage folks to keep your eye on.
The playwright’s work is funny, form-breaking, feminist—and everywhere on U.S. stages.
Dameion Brown takes the title role in Marin Shakespeare Company’s production of ‘Othello.’
The playwright discusses her newest play ‘The Layover’ and why her characters are usually flawed, unhappy people.