Eboni Booth on ‘Primary Trust’: Only Connect
An interview with the playwright about fast writing, big feelings, mai tais, and Munchkins.
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An interview with the playwright about fast writing, big feelings, mai tais, and Munchkins.
Youth discount tickets aren’t just about filling houses now but about creating lifelong theatregoers and donors.
In Know Theatre’s new show, Cloud Cult’s 2010 concept album becomes an interstellar family drama set somewhere between Ohio and Proxima Centauri.
A dialogue on how students, teachers, and parents can push back against a wave of conservative legislation and intimidation that threatens to chill theatrical expression.
Even with arts journalism jobs in decline, emerging theatre critics keep training and finding new outlets for their voices.
From conservatories to MFAs to youth ensembles, the best training to reflect human behavior onstage can take as many forms as life itself.
Diversifying design training and hiring, and an effort to fund plays about science.
The diversification of theatre design starts—but doesn’t end—with training.
In our Winter issue, we look at training that doesn’t simply instruct young artists in the ways of the world but aims to empower them to change it.
From ‘Proof’ to ‘Behind the Sheet,’ the Sloan Foundation has supported hundreds of plays about science and scientists. What can we learn from this still growing body of work?