From a car-driven opera in L.A. to a roller coaster musical in Chicago, from education projects to exciting turnovers, fall is busting out all over.
Adapted from T.C. Boyle’s 1995 novel, Matthew Spangler’s play tracks two couples united and divided by immigration.
Copy & waste and English Theatre Berlin | International Performing Arts Center address gentrification with a little help from Marty McFly.
The artistry of Deaf and disabled theatre workers has been amply demonstrated. Why aren’t they centerstage more regularly?
If Deaf stories and actors are having a moment, from ‘Spring Awakening’ to ‘Tribes,’ it’s only because the rest of the world is finally discovering a well-established theatrical tradition.
Obviously theatres should give priority to disabled actors in roles defined as disabled. The next step: to consider them for all roles.
An Anatomized Philippic Regarding the Relationship of Disability to the Contemporary American Theatre
Always the pro—and always writing—the Pulitzer-winning playwright and screenwriter was an ideal collaborator and friend.