Executive Director’s Note for December 2013
Executive director of TCG, Teresa Eyring, shares her thoughts in the December 2013 issue.
Stories with a national scope.
Executive director of TCG, Teresa Eyring, shares her thoughts in the December 2013 issue.
It started as a kind of theatrical dare—what can really be conveyed onstage in 60 seconds? Now its creator takes his “barometer project” on the road.
Whether working with the Wooster Group or Robert Wilson, he sets out to reinvent the process and avoid his “ego agenda.”
An actor toils and performs on Bread and Puppet Theater’s Vermont farm on the eve of the company’s 50th anniversary .
The recently retired director of the O’Neill Critics Institute reflects on his time in Minneapolis at the Guthrie’s beginning.
The Austin-based ensemble brings their latest show ‘Stop Hitting Yourself,’ inspired by the provocative novelist, to Lincoln Center Theater.
Does it make sense (and dollars) to compensate everyone in a company equally?
American Theatre breaks down what artists need to know about Obamacare and where they can find out more.
A precursor to the L.A. Stage Alliance forms, Charlie Chaplin’s final bow, and more that happened this month in history.
The controversial West Dallas–based ensemble opens a new show in a former bus garage.