By trading in its old home for the 13,000 square feet Theater Artaud, the 20-year-old Bay Area theatre sees an opportunity to intensify its commitment towards new work.
Jeremy Bloom’s ‘Peter/Wendy,’ at San Francisco’s Custom Made Theatre Company, distills J.M. Barrie’s tale down to its essentials, with just seven actors and some happy thoughts.
The playwright and the actor talk about their collaboration.
Teatro Visión adapts a classic Mexican film for the stage and explores how hunger has defined—and still defines—low-income communities.
Seattle’s A Contemporary Theatre debuts the “Norman Conquests” playwright’s latest.
The composer talks about his early theatrical experiences and his inspirations for writing ‘The Black Suits.’
After 20 years leading the groundbreaking Asian-American troupe East West Players, Tim Dang is still looking ahead at challenges yet to be met.
A Texas playwright takes on an iconic Texas politician in ‘All the Way’ and ‘The Great Society,’ and finds a figure of Shakespearean—i.e., tragic—proportions.
The collective of Asian-American artists will present the play about two Asian Americans in Wyoming.
In Frances Ya-Chu Cowhig’s ‘410[GONE]’ at Crowded Fire Theater, the Land of the Dead is rendered with Beijing opera and Dance Dance Revolution.