Dominique Morisseau and Martyna Majok Win Marin Theatre Company Play Prizes
Morisseau’s “Skeleton Crew” took the Sky Cooper New American Play Prize, and Martyna Majok won the David Calicchio Emerging American Playwright Prize for “Ironbound.”
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Morisseau’s “Skeleton Crew” took the Sky Cooper New American Play Prize, and Martyna Majok won the David Calicchio Emerging American Playwright Prize for “Ironbound.”
The ’15-16 season will feature new works from Paula Vogel, Robert Lopez and Kristen Anderson-Lopez, and José Cruz González, as well as direction from Rebecca Taichman and Alex Timbers.
This week on the (virtual) air, the focus was on L.A. and New York.
In a new reimagining of Lapine and Sondheim’s fairy-tale musical, 11 actors play all the roles and all the instruments—and the set itself is an instrument.
L.A.’s peer-judged awards recognize the most notable theatre work of the past year, from Broadway-bound to black box, and dole out $75,000 worth of honorary cash awards.
Intending to serve as interim artistic director, McFadden instead oversaw five years of growth for the company, including the building of a new home.
A former SEIU organizer takes the helm of the stage union’s Western region at a potentially dramatic juncture.
After six seasons at the helm, Wolf leaves the San Francisco-based company having doubled its budget and stepped up its new-play commitments.
After 12 years as artistic director of Seattle’s second biggest LORT theatre, Beattie will hand the reins to director John Langs.
Honolulu Theatre for Youth’s new devised show goes beyond “eat your vegetables” to teach kids about food and sustainability.