Our Reflection Talks Back
In the digital post-truth era; theatre of the real doesn’t just dramatize change—in some case it embodies it.
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In the digital post-truth era; theatre of the real doesn’t just dramatize change—in some case it embodies it.
What I learned at the O’Neill Theater Center’s annual July boot camp for arts journalists.
Her new musical ‘Bella’ is a tall tale about an unlikely Old West heroine.
South Coast’s rep for developing new work makes another strong showing.
Play reading festivals come and go, but there was something electric and urgent about this year, the fest’s 7th.
More than just a nice showcase for Josh Groban, ‘Dust and Ashes’ makes the non-linearity of mental illness dramatically compelling.
The Book-It Repertory Theatre adaptation of the Hemingway classic takes audiences on a Parisian tour.
Denver Center’s annual new-play festival, now in its 12th year, shows writers in dialogue with the moment.
Barbara Gaines’s Chicago Shakespeare Theater staged an ambitious yearlong program in 2016. I tried to match that ambition as an attendee, with mixed success.
It’s sobering that Luis Valdez’s stirring Chicano protest musical is freshly relevant, but there’s nothing somber about its vibrant new staging.