The Staying Power of the Welders
Loosely modeled after playwrights collectives before them, the D.C. group passes the torch.
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Loosely modeled after playwrights collectives before them, the D.C. group passes the torch.
As Charles Kopelman and Sarah Douglas of Abrams Artists Agency explain: They talk, the playwrights write.
If we can’t move past our bias toward theatre made in the U.S. and ratified in New York, we might as well just build a wall.
How this West Virginia new-play fest builds and rides an annual new-play repertory carousel.
How this dedicated follower of no fashion and avatar of alternatives to the well-made play keeps it weird.
‘Political theatre’ should not be an automatic putdown; both politics and theatre can lie or speak truth, depending on how they’re used.
A season of travel with this year’s presidential candidates proved that democracy is still a live event.
How has this unlikely presidential candidate gotten so far? By setting the stage and giving the performance of a lifetime.
Chicago’s Victory Gardens Theater scored an election-year win with a play about Hillary Clinton’s 2008 campaign.
A series of short plays about the whole lot features a choose-your-own-president ending, just like in real life.