Assisting is a rite of passage for many artists. Are they getting ahead—or just getting coffee?
In Jan. 2012’s “Approaches to Theatre Training” issue, we ask directors, actors, and writers what it means–and how it feels–to be an assistant.
With his second volume of lyrics, Sondheim makes the case for his theatrical vision, even when it’s led him down blind alleys.
Emily Mann and Chay Yew write and direct plays, and they run theatres. Not necessarily in that order.
As theatres and audiences face a brave new digital world, 12 of the nation’s most influential theatre critics talk about their towns and their changing roles.
When theatre artists and military personnel come together, assumptions on both sides are transformed.
An ancient story wins hearts and minds at the world’s most controversial military base.
A full plate at Humana’s all-you-can-see new-play buffet.
In the midst of publishing two definitive books about his lyrics, the musical theatre master ponders his accomplishments, his way of working, and the form and future of the American musical.
On the stage she and her husband founded, Alaskan artists and themes are right at home.