A Smaller, More Local Intiman Resurfaces in Seattle
How did Andrew Russell bring this venerable resident theatre back from the brink of debt and dysfunction? Slowly, carefully—and locally.
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How did Andrew Russell bring this venerable resident theatre back from the brink of debt and dysfunction? Slowly, carefully—and locally.
Plays by the Portland native, including ‘The Call,’ ‘Blue Door,’ and ‘Bright Half Life,’ are on the slate.
All aboard! Schooners, seafaring, and whale hunting are recurring themes this week onstage from coast to coast.
A reading of Robert Askins’s ‘Hand to God’ kicks off a new-work slate of eight new plays.
‘Off the Main Road,’ a long-unproduced play by the Kansas-born writer, will make its long-overdue premiere at Williamstown Theatre Festival this summer.
The roster includes plays by Ken Urban, J. Julian Christopher, and Johnna Adams, that tackle social issues and explore realms between fantasy and reality.
Writers from either side of the pond—Hamish Linklater, Sam Hunter, Simon Stephens, and Laura Wede—fill a season of premieres.
Just far enough from New York to get away and stretch with new work, but close enough for a day trip, Vassar’s Powerhouse has been a theatre development hub for 3 decades.
This week’s guest is chairman of the NEA Jane Chu, who discusses arts funding and ‘South Pacific.’ Plus, highlights from the TCG National Conference in Cleveland and a discussion of the new Kilroy’s list.
What can theatre possibly mean to migrant workers and refugees in one of the world’s most violent regions? Ask ‘Antigone.’