The Goodman’s second-in-command looks to the future.
We may not have realized we were building long-lasting institutions to make theatre. But now that we have them, what should we do with them?
Jack Viertel goes from daily critic to in-house dramaturg at L.A.’s flagship theatre.
Building dynamic characters for the stage goes far beyond gender.
Two major playwrights reflect on the role of gender in their writing and in their careers.
There’s no mystery to making a musical, declares the theatre’s most acclaimed composer. It’s just hard work.
Danny Newman’s German, Eugene Lee’s concrete floor, and Dario Fo, pro and con.
Oh, the humanities!
Peter Sellars & Des McAnuff offer combustible formulas for a theatre that matters.
American drama on the Soviet stage.