Galati’s New Hat
The Goodman’s second-in-command looks to the future.
Institution-as-Artwork
We may not have realized we were building long-lasting institutions to make theatre. But now that we have them, what should we do with them?
The Taper’s Trojan Horse
Jack Viertel goes from daily critic to in-house dramaturg at L.A.’s flagship theatre.
Creative Danger: Exploring the Woman’s Voice in Drama
Building dynamic characters for the stage goes far beyond gender.
María Irene Fornés and Tina Howe: Women’s Work
Two major playwrights reflect on the role of gender in their writing and in their careers.
Sondheim in His Own Words
There’s no mystery to making a musical, declares the theatre’s most acclaimed composer. It’s just hard work.
Letters to the Editor
Danny Newman’s German, Eugene Lee’s concrete floor, and Dario Fo, pro and con.
More Than a Warning
Oh, the humanities!
In Search of a New Mainstream
Peter Sellars & Des McAnuff offer combustible formulas for a theatre that matters.
From Broadway to Gorky Street (Or, What Would Lenin Say?)
American drama on the Soviet stage.
