An Uber-Musical From Robert Wilson
‘The Black Rider’ testifies to his great love for theatre in all its manifestations. Can audiences relax and enjoy it?
‘The Black Rider’ testifies to his great love for theatre in all its manifestations. Can audiences relax and enjoy it?
The practiced lighting designer makes an auspicious and instructive directorial debut at the Guthrie.
Can you go ‘Homecoming’ again?
A look at the new book by Al Hirschfeld from Charles Scribner’s Sons, New York, 306 PP., $50 cloth.
Remembrances of the indomitable New York theatre pioneer.
A new spin on the old myth, inspired by the classic film and set in Trinidad.
A review of ‘The Leroi Jones/Amiri Baraka Reader,’ edited by William J. Harris, ed., Thunder’s Mouth Press, New York. 540 pp, $24.95 cloth, $13.95 paper.
From the front lines of a theatre revolution, she has been dreamer, pathfinder, and mentor to a generation of artists.
Spolin and Sills laid down the rules. The generations who came after played by them. That’s how Chicago invented itself.
In play after play at this year’s festival, men fashioned the yokes and women looked for room to move.