Tremor into Action
In an interview, voice-work innovator Catherine Fitzmaurice prescribes a holistic regimen of freedom, release, and transcendence.
In an interview, voice-work innovator Catherine Fitzmaurice prescribes a holistic regimen of freedom, release, and transcendence.
In an interview, Cicely Berry reveals how working on the sound and rhythm in Shakespeare can lead actors to the language within themselves.
Senior editor Randy Gener voices his thoughts on the contents of the Jan. 2010 issue’s Approaches to Theatre Training special section.
Post-racial? Not on the Great White Way.
Words and images clash in the notorious dramatic installations of the Belgian director and his frequent collaborator, lighting and stage designer Jan Versweyveld.
What will it take to achieve equality for women in the theatre?
Tarell Alvin McCraney’s trio of profanely poetic ritual dramas signals the emergence of a major new voice.
Humana’s varied menu is bolstered by new-play investigations.
25 American artists envision the theatre’s next 25 years.
The French designer Jean-Guy Lecat ponders the living intricacies of space, design and performance.