Black, Queer, and Here
In a post-‘Moonlight’ world, writers like Michael R. Jackson and Jeremy O. Harris are making the case for LGBTQ stories that go beyond the gay white experience.
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In a post-‘Moonlight’ world, writers like Michael R. Jackson and Jeremy O. Harris are making the case for LGBTQ stories that go beyond the gay white experience.
The father and son duo are performing in Joseph Dougherty’s historic two-hander this summer in West Virginia, and learn a lot about each other in the process.
What did I learn at this year’s TCG National Conference? Criticism and journalism may be facing a crisis, but I can be part of the solution.
With ‘Blue’ opening this week at Glimmerglass, the composer reflects on her approach to music and meaning, and leaks her ambition to make a musical film.
If people of color were able to speak freely in a theatrical space, what would we say? Jackie Sibblies Drury’s play offers a compelling answer.
3 facilities in rural Kentucky engaged residents in the ageless practice of playmaking.
Why the Tony-winning revival of R&H’s musical sounds more string-band country than traditional musical theatre.
The special counsel’s report has inspired six different events in a two-month period, combining entertainment and activism—and original songs.
Live sound mixing, audience wearing headphones—today’s sound designers aren’t just on the sidelines anymore, they’re centerstage.
Making a show sound great in a theatre space is as much an art as a science, and there’s no substitute for being there.