How ‘Rent: Live’ is Reimagining Jonathan Larson for Prime Time
Twenty years after he premiered the musical Off-Broadway, director Michael Greif promises an all-new production, with a 1,500-person studio audience.
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Twenty years after he premiered the musical Off-Broadway, director Michael Greif promises an all-new production, with a 1,500-person studio audience.
Formerly incarcerated individuals and corrections officials make a strong case.
St. Louis’s Prison Performing Arts helps young inmates discover and rediscover their creative and interactive selves.
How the Actor’s Workshop’s storied 1957 performance set the stage for collaborations between correctional facilities and U.S. theatres.
What am I learning while doing time, apart from mopping the gym? I’m getting to know people in transition.
In her art and in her play ‘How to Have Fun in a Civil War,’ the Somali artist strives to reach past facts and into our emotions.
How the Iranian playwright of ‘White Rabbit Red Rabbit’ got his work produced in 50 countries, and got around the travel ban.
This theatre company got its start in an old school auditorium with wedding-gift money.
When McCarter’s longtime artistic director leaves in 2020, she plans to do more of what brought her there 30 years ago: writing and directing.
How could any single show carry so much of the island’s pain and triumph? By unleashing a hurricane of pride and love.