Front & Center for March 2016
Refreshingly unlikable female protagonists, underrepresented voices, and an array of new American plays take the stage this month.
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Refreshingly unlikable female protagonists, underrepresented voices, and an array of new American plays take the stage this month.
Florida Studio Theatre gambled that Richard Strand’s play would both entertain and enlighten audiences—and make them keep talking about race.
Themes of accessibility and technology drove this year’s conference about the future of Broadway.
Volumes by Judith Malina and Daniel Sacks wrestle with revolutionary truths—one via poetry, the other through theory.
A cryptic British play takes the stage in Malta.
B.D. Wong and cowriter Robert Lee bring an awkward youngster to life for La Jolla Playhouse’s POP Tour.
Meghan Pressman discusses new play development; plus, the editors talk about their recent trips.
Playwright Christopher Chen talks about the twists and turns in his play ‘Caught.’
How the Tennessee organization strengthens its donor base by cultivating lasting relationships.
Cooking and smoking onstage aren’t the only ways smell is incorporated into a production—sometimes, the scent is part of the design.