“These Paper Bullets! A Modish Ripoff of William Shakespeare’s Much Ado About Nothing,” written by Rolin Jones, directed by Jackson Gay, and with music by Billie Joe Armstrong, combines two of Britain’s most revered entertainers: Shakespeare and the Beatles.
Meg Miroshnik creates piece featuring young Russian girls after noticing a lack of females in Russian theatre.
How the design team for David Adjmi’s “Marie Antoinette,” tackled downsizing the play for a smaller black box space.
Geidt was a founding member of both the Yale Repertory Theatre and American Repertory Theater.
Why have musical adaptations of Shakespeare plays become so plentiful?
From Tanya Saracho to Stephen Sondheim, this crop of honors acknowledged standout companies and artists from coast to coast.
Will Eno shares an elliptical e-mail conversation with fellow playwright about his play.
Readers both reinforce and challenge our article, “The Artist as Entrepreneur,” and more.
With ‘After the Revolution,’ ‘4000 Miles’ and ‘Belleville,’ this young, Yale-educated playwright shows equal parts ambition and nuance, teeth and sympathy.