Eboni Booth on ‘Primary Trust’: Only Connect
An interview with the playwright about fast writing, big feelings, mai tais, and Munchkins.
Millennial Approaches
Youth discount tickets aren’t just about filling houses now but about creating lifelong theatregoers and donors.
Offscript: Harry Lennix & Ken-Matt Martin Rediscover August Wilson in Chicago
On this Chicago-themed episode, Rob and J.R. talk to the actor-director duo about staging August Wilson’s solo play, ‘How I Learned What I Learned,’ and check in with arts journalist Mike Davis.
Amber Ruffin, Happy to Live in the World of ‘The Wiz’
The busy writer was brought on to preserve the essence of the iconic show, while pruning dated language (and adding fresh jokes).
Timothy Rogers Named Charleston Stage Managing Director
Rogers succeeds former managing director Frank Mack.
‘Tommy,’ Can You Hear Me? I’m Not Gonna Take It
From its casting to its staging, the acclaimed new Broadway revival of the iconic rock musical misses opportunities to engage with, and subvert, harmful tropes around Deafness and disability.
Chris Durang Was My Willy Wonka
A sweet, sane soul who wrote hilarious, deranged, profoundly human plays, he showed us all how to dance on the funny/serious tightrope.
Henrik & Heidi & Anton & Amy
Why and how Amy Herzog and Heidi Schreck took time from writing their own plays to adapt ‘An Enemy of the People’ and ‘Uncle Vanya,’ respectively, for Broadway.
Whiting Awards, Blue Ink Award, and More
A roundup of prizes, fellowships, and other recognitions.
6 Theatre Workers You Should Know
These seasoned Atlanta artists prove that creative entrepreneurship and collaboration are keys to a vibrant career in one of the South’s most exciting cities.