Tall Enough To See the Truth
By Christopher Kompanek
Daniel Beaty and Moises Kaufman join forces to bring legendary actor/singer Paul Robeson to life
Show Me the Money
By Nelson Pressley
ZACH Theatre reveals all in its budget for an acclaimed of August: Osage County
Once on This Island
By Diana Buirski, with contributing writers Erica Nagel and Meghan Pressman
As Cuba’s socialist economy changes, so do its citizens’ career options. What does this mean for Cuban theatre professionals?
Special Report: Theatre Facts 2012
Expect the Unexpected
By Sarah Hart
With the worst of the recession behind them, theatre leaders must lay plans for an unpredictable future
DEPARTMENTS:
From the Executive Director
The Case for Capitalization
News in Brief
The End of a Hole Era
Such Sweet Sorry
Front & Center
Training Day: Dead White Zombies and the Cult of American Athletics
Caught on Camera: Fathers and Daughters in “Sunset Baby”
Further Reductions with ‘The Complete History of Comedy (Abridged)’
The Irresistable Rise of ‘Miracle on South Division Street’
Available Light Theatre: The Troupe That Sticks Together
Zinnie Harris and ‘The Wheel’ at Steppenwolf
Production Notebook
Fool for Love at Jungle Theater
Currents
Jim O’Quinn stirs up trouble in New Orleans
Justin Maxwell anticipates the N.O. Fringe
Jonathan Mandell sifts through the National New Play Network’s New Play Exchange
Obamacare for artists, a guide, by Jeremy M. Barker
First Person
Stacy Keach on five memorable Shakespeare roles
Books
Erik Haagensen on four musical-theatre histories
Strategies
Companies that pay everyone equally, by Eliza Bent
20 Questions
for Nell Benjamin
Web exclusives:
J.T. Rogers and Brian Helland debate the state of arts funding
