How To Tell If You’re a Theatre Kid
In this excerpt from a new memoir about his years toiling Off-Off-Broadway, the author reflects on what it means to be young and bitten by the acting bug.
In this excerpt from a new memoir about his years toiling Off-Off-Broadway, the author reflects on what it means to be young and bitten by the acting bug.
In 1968, one of the regional theatre’s founding mothers wrote an urgent memo to her board: It was long past time to integrate the company and diversify the audience.
A new book looks at the marriages of convenience—and backstage inconveniences—behind the filming of ‘Who’s Afraid of Virginia Woolf?’
Two new books consider the possibilities and limits of documentary theatre in a polarized nation.
Two books come not to bury the Bard but to bring his writing down to the common ground we share.
Priscilla Gilman’s memoir portrays her father, Richard Gilman, as a passionate, difficult figure who bequeathed her life lessons, many unwittingly.
Patti Hartigan’s excellent new biography gives us a rich portrait of the playwright’s life and art, and a measure of his significance.
A reporter and critic who knew Wilson nearly from the start of his playwriting peak, she wrote the biography she wanted to see.
Whether students are in the process of reclaiming or rejecting their identities, a new book offers resources to help subvert stereotypes and understand embodiment.
A new biography of Sam Shepard focuses on the man as an icon rather than as a writer—though, as with everything in the late dramatist’s work, such delineations are never so neat.