The Final Collaborator: Why New Work Needs Audiences
As developmental spaces dwindle, the New York Stage & Film Summer Season preserves a crucial part of theatremaking: the moment when artists and audiences shape a work together.
As developmental spaces dwindle, the New York Stage & Film Summer Season preserves a crucial part of theatremaking: the moment when artists and audiences shape a work together.
Hedonism, shame, aquaphobia, and memory were in the mix at Montreal’s interdisciplinary theatre and dance gathering.
In a conversation recorded at the TCG Conference in San Juan in June, writer Miranda Purcell is joined by Puerto Rican theatremakers Sylvia Bofill and Georgina Borri.
For both those from the island and in the diaspora, the gathering affirmed and clarified the bridge-building power of theatre and its makers.
For a week in early June, theatremakers from all over the world, and from the Windy City itself, converged in Chicago to test the limits of play and possibility.
Next month’s Rehearsal for Truth International Theater Festival will offer an NYC showcase to smart, often bleakly comic new work from Central and Eastern Europe.
Poised between the island and U.S., Boricua artists create work that feels like home wherever they are.
Performer, director, and educator Isel Rodríguez walks us through the archipelago’s distinct theatre landscape.
Execs from more than 40 of the country’s largest regional theatres gathered in Wisconsin last week to share practical advice for an industry that is ‘exceptionally strained.’
Over its 20-year run, the Colorado New Play Summit hasn’t just developed fresh pieces of theatre; it has also developed an audience for new work.